Interactive & Immersive Music + Sound
Composition and sound design for responsive, immersive experiences
From opening films to interactive environments
I compose music and design sound for immersive and interactive experiences where audio needs to feel intentional, expressive, and coherent — not fragmented or purely technical.
My work often begins with narrative music for an opening or brand film, establishing the emotional and sonic language of the project, and then extends that language into responsive, interactive sound design throughout the wider experience.
The result is audio that feels unified from the first moment through every interaction.
Who This Is For
I typically work with:
Creative directors and experience designers
Museums and cultural institutions
Agencies producing interactive installations
Studios developing immersive or hybrid narrative experiences
Especially on projects where sound needs to:
Support storytelling
Respond to interaction
Remain clear and robust in real-world use
What I Do
Interactive Music Composition
I compose music designed to adapt and evolve in response to interaction, movement, or narrative state — maintaining musical coherence while avoiding repetition or fatigue.
Behavioural Sound Design
Sound effects and textures are designed with intent: how they enter, respond, transition, and exit as people engage with the experience.
Narrative Anchor Music (Opening / Brand Films)
For projects that include an opening film or hero moment, I compose linear music that establishes the emotional tone and core musical themes.
These themes then inform the wider interactive and spatial sound design, ensuring a consistent sonic identity.
Audio Concept & Creative Direction
I define how music and sound should behave across the experience, providing clear creative intent that supports smooth collaboration with technical teams.
How I Work
I focus on clarity early in the process.
By defining musical language, emotional intent, and sound behaviour from the outset, projects benefit from:
Reduced creative ambiguity
Fewer late-stage changes
Smoother collaboration between creative and technical disciplines
Where technical implementation is required, I work closely with audio programmers and integrators to ensure the audio design is realised accurately and efficiently.
Why Clients Bring Me In
Clients often come to me when they need:
Music and sound that feels alive but controlled
A clear creative vision for interactive audio
Continuity between film, interaction, and environment
Confidence that audio won’t become a bottleneck
I bring long-form experience across narrative media, live environments, and immersive projects, helping teams make confident audio decisions early.